Fred Astaire Dance Studios - Doctor Phillips

West Coast Swing (or Western Swing) quickly gained popularity across the U.S. because of its sophisticated style and easy adaptation to contemporary rock music. A regional style popular on the West Coast of the U.S., the dance made a bid for national recognition in the late 50s and continues to grow in popularity in the 21st century. West Coast Swing incorporates many forms of swing including the Lindy, Shag, Whip and Push.

The Waltz dates back to the country folk dances of Bavaria, some 400 years ago, but was not introduced into “society” until 1812, when it made its appearance in English ballrooms. During the 16th century, it was simply danced as a round dance called the Volte. In most dance history books, it is often stated that the Volte made its first outside appearance in Italy, and then later on to France and Germany. In those early days, the Waltz had quite a few different names. Some of these names were the Galop, Redowa, Boston and the Hop Waltz. When the Waltz was first introduced into the ballrooms of the world in the early 19th century, it was met with outrage and indignation. People were shocked by the sight of a man dancing with his hand upon a lady’s waist (as no proper young maiden would compromise herself so) and thus, the Waltz was thought to be a wicked dance. The Waltz did not become popular among the European middle class until the first decade of the 20th century. Until then, it was the exclusive preserve of the aristocracy. In the United States, where no blue-blood caste existed, it was danced by the populace as early as 1840. Immediately upon its introduction in this country, the Waltz became one of the most popular dances. It was so popular, it survived the “ragtime revolution.” With the advent of ragtime in 1910, the Waltz fell out of favor with the public, being supplanted by the many walking/strutting dances of that era. Dancers who had not mastered the techniques and whirling patterns of the Waltz quickly learned the simple walking patterns, which ushered in the ragtime rage and birth of the Foxtrot. In the latter part of the 19th century, composers were writing Waltzes to a slower tempo than that of the original Viennese style. The box step, typical of the American style Waltz, was being taught in the 1880s and an even slower waltz came into prominence in the early 1920s. The result is three distinct tempos: (1) the Viennese Waltz (fast), (2) medium Waltz, and (3) slow Waltz — the last two being of American invention. The Waltz is a progressive and turning dance with figures designed for both a larger ballroom floor and the average dance floor. The use of sway, rise and fall highlight the smooth, lilting style of the Waltz. Being a very traditional style of dance, the Waltz makes one feel like a princess or a prince at the ball! Whether you are interested in wedding dance instruction, a new hobby or a way to connect with your partner, or want to take your dance skills to the next level, Fred Astaire’s teaching methods will result in faster learning rates, higher levels of achievement – and more FUN!

The Viennese Waltz, as its known today, was first danced by European royalty during the era of the Austrian composers, Johann Strauss I and Johann Strauss II (1800s). Its hallmark charisma and social grace is typical of that period of history. The Viennese Waltz became the only dance of that era which is still performed by the American public.

During the greatest period of the dance evolution in American history (1910-1914), the Tango made its first appearance. It was instantly a hit with the dance-conscious public for its intriguing, asymmetrical, and sophisticated patterns which added a touch of romance to the country’s dance consciousness. The Tango has no clearly defined origin: it may have originated in Argentina, Brazil, Spain, or Mexico, but it clearly descended from an early Spanish folk dance, the Milonga, and bears traces of Moorish and Arabic ancestry. The Tango first came to be known as such, early in the 20th century in Argentina. It was danced, however, under various names throughout all of Latin America. Years later, Argentine plainsmen or “gauchos,” danced a modified version of the Milonga in the bawdy cafes of Buenos Aires. Argentine and Cuban youth later changed the name (and style) to Tango which was more acceptable to society. The Cubans danced it to habanera rhythms which were syncopated and obscured the basic Milonga rhythm. It was not until after it caught on in Paris and was re-introduced to Argentina, that the music was restored to its native style. For over 60 years, the four beat Tango rhythm has endured and continued to enjoy popularity everywhere as the music is universal with many types of sub-styles. Of all the dances which came into being in the early 20th century, only the Tango has continued to enjoy this much popularity. The Tango is a progressive dance where the staccato movement of the feet and flexed knees highlight the dramatic style of the dance. The Tango is one of the most highly stylized ballroom dances. It is dramatic with measured crossing and flexing steps and poised pauses. Perhaps the main reason for its widespread popularity is that it is danced close to the partner.

When the Brazilian Samba was first introduced to the U.S. Dance Masters in 1929, it became an overnight sensation. Like many other Brazilian dances, the music is an amalgamation of African and Latin American rhythm that is adorned with expressive, melodic lines. In form, the Samba is a serenade; the repetition of its melody is continually interrupted by the strumming of a guitar or other stringed instruments. Originating in Bahia, Brazil, the dance first became popular in Rio de Janeiro, and later, its intoxicating rhythm was taken up by serious Latin American composers. The Samba is festive and lighthearted, and performed today in all parts of the world. It brings to mind pictures of Rio’s festive and exotic Carnival! In its native land, the Samba is usually danced to a moderately slow tempo which contrasts vividly with the spirited version favored in U.S. The Samba has withstood the test of time and still ranks high among social as well as competitive dancers.

Oozing with a sensuous style, Salsa has it all – passion, energy, and joy. As a dance form, Salsa has its origins in the Cuban Son and the Afro-Cuban dance, Rumba. As it relates to the popular music style, Salsa is continuously evolving, and new modern dance styles are associated and named according to the geographical areas that they are developed in. Some of the popular Salsa styles are Cuban, Columbian, Los Angeles, New York (or Eddie Torres Style), Palladium, Puerto Rican, Rueda, and On Clave.

Rumba, also known as "ballroom-rumba", is a ballroom dance found in social dance and international competitions. It is the slowest of the five competitive International Latin dances and was derived from a Cuban rhythm and dance called the Bolero-Son.

The Quickstep, with its roots in Ragtime, was developed in the 1920’s in New York from a combination of Foxtrot, Charleston, Peabody and the One-Step. Originally it was danced solo – away from the partner, but later became a partner dance. It was originally given the name “Quick Time Fox Trot” but eventually that name was changed to Quickstep. The dance traveled to England and was developed into the dance that we know today, and was standardized in 1927. In a basic form Quickstep is a combination of walks and chasses but in an advanced stage hops jumps & many syncopations are utilized. It is an elegant and glamorous dance and body contact is maintained throughout the dance.

The Paso Doble (or pasodoble), in its classical form dates back many centuries and was originally intended for use at bullfights when the matador was victorious in the arena. The music adapted itself so beautifully to the dance that the villagers danced to the exciting, lively music for hours on end. Americans first viewed the Paso Doble when flamenco dancers used this music to dance the role of a bullfighter. It has been a favorite (in its ballroom version) since the 1930s. In the ballroom version of the Paso Doble, the gentleman usually portrays the bullfighter and the lady is his cape, although there are times when a very strong aggressive action in certain movements seems to suggest the actions of the bull. The Paso Doble moves around the floor and is characterized by sharp movements. A most helpful aid in acquiring the proper feeling is to visualize the pageantry of the matadors, as they make their grand entry into the bull ring and feel the attitude that is displayed during the fight.

Both Haiti and the Dominican Republic claim Merengue as their own. According to Haitian lore, an earlier ruler of their country had a lame son who liked to dance. In order that this beloved prince would not feel self-conscious about his affliction, the entire populace took to dancing as though they all were lame. The Dominican’s version is that the dance originated at a fiesta that was given to honor a returning war hero. When the brave warrior rose to dance, he limped on his wounded left leg. Rather than make him feel self-conscious, all the men present favored their left legs as they danced. In both countries for many generations, the Merengue was taught and danced with these back stories in mind. When couples got up to dance the Merengue, the man favored his left leg and the lady favored her right leg; while flexing their knees a bit more than usual and at the same time leaning the body slightly to the same side. Haitians and Dominicans alike refer to the Merengue as their “singing dance;” this is understandable when you consider the exhilarating brightness of the staccato rhythm. The Merengue is danced in place to Latin music.

No other dance from south of the (U.S.) border has ever attained the instantaneous popularity than the zestful Mambo did when it was first introduced from Latin America. The extent of the Mambo’s reach can be observed by the widespread use of its rhythm by Tin Pan Alley.

Jive evolved from the popular American dances of the 1930’s such as Jitterbug, Boogie-Woogie, Lindy Hop, East Coast Swing, Shag, Rock “n” Roll etc. Eventually all of these styles of dance would be coupled under the Hat of “Jive”, but in the 1940’s a combination of these styles was given the name “Jive” and the dance was born. The modern form of ballroom jive is a very happy and boppy dance, with many flicks & kicks.

Hustle is danced to the contemporary pop dance music of the last 20 years. It is a fast, smooth dance, with the lady spinning almost constantly, while her partner draws her close and sends her away. Free rhythmic interpretation is characteristic of this dance.

The Foxtrot dance step was named after Harry Fox, a vaudeville dancer and comedian who was believed to be the first to use the “slow step,” leading to the birth of the Foxtrot. This first freestyle use of the “slow step” became popular around 1912 during the ragtime music era, marking a new phase of ballroom dancing where partners danced closer together and improvised to new music. By 1915, the shift to smoother, more rhythmic music influenced dancing. From 1917 onwards, the emphasis has been on smoother dancing and individualized expression. By 1960, International style dancing influenced American style Foxtrot, with the main difference being that International style is danced entirely in contact while American style allows for greater freedom of expression. Most figures are designed for larger ballroom floors but can be adapted for smaller ones.

Eastern Swing or East Coast Swing (or just Swing), evolved from the Lindy Hop and is perhaps the most famous American folk dance. The best known forms of Swing include the Charleston, Black Bottom, and Shag. In the early 1940s, these forms consolidated into what was called the Lindy. The Lindy was first danced as a modified box step, with a slight shuffling movement. The shuffling movement of the original Lindy can be likened to today’s single rhythm in Swing. As the shuffling, or single rhythm progressed, it evolved into both the double and triple time Lindy. Today all three form the basis of good Swing dancing.

Cha Cha is a dance of Cuban origin, and derives its name from the rhythm developed by a syncopation of the fourth beat. Cha Cha gathers its flavor, rhythm and charm from a derivation of three primary sources: the Mambo, Rumba, and indirectly, the Lindy (with each being danced to the same one-two-three triple step). The Cha Cha, while sprung up from Latin American roots in Cuba, really flowered under North American influence. While closely identified with the aforementioned Mambo, Cha Cha has enough intrinsic individuality to be classified as a distinct dance.

The Bolero was introduced to a U.S. audience in the mid-1930s; and at that time, it was danced in its classical form, which was performed to a constant beat of drums. It emerged from this classical form to what was called Son, with a faster and livelier tempo (later renamed as the Rumba). Spanish dancer Sebastian Cereza is credited with creating the dance in the year 1780; since then, the Bolero has remained a true source of expressing sensuous feelings. It is truly the “dance of love.” The Bolero is one of the most expressive dances: the use of arms and hands, legs and feet, as well as facial expression, all contribute to its beauty.

Argentine Tango is a dance and music that originated in Buenos Aires at the turn of the century, developed in the melting pot of cultures that was Buenos Aires. The word Tango was used at the time to describe various music and dance.

Fred Astaire dance instructors are dedicated to helping you discover the joy of ballroom dancing, and to making your learning experience enjoyable, educational, rewarding – and FUN!

At Fred Astaire Dance Studios, we will tailor programs to meet your individual goals and budget, including competitive dancing.

At Fred Astaire Dance Studios, we will tailor programs to meet your individual goals and budget, including social dancing.

Our proven teaching method includes Private Lessons, Group Lessons and Practice Parties, to ensure you learn as much as possible, in the shortest amount of time, with the most retention… and have the most FUN doing it!

Our proven teaching method includes Private Lessons, Group Lessons and Practice Parties, to ensure you learn as much as possible, in the shortest amount of time, with the most retention… and have the most FUN doing it!

Our proven teaching method includes Private Lessons, Group Lessons and Practice Parties, to ensure you learn as much as possible, in the shortest amount of time, with the most retention… and have the most FUN doing it!

Whether you’re interested in wedding dance lessons, a new hobby or way to connect with your partner, improving your social life, physical or emotional well-being, or taking your skills to the next level, you’ve come to the right place.

At Fred Astaire Dance Studios, we are experts at all styles of ballroom dance – and can incorporate any one (or more!) of them into your Wedding Dance choreography. From a classic Waltz or Foxtrot or sultry Tango, to a fun & lively Country Western Two-Step and more, our certified Dance Instructors can help!

At Fred Astaire Dance Studios, our Wedding Dance programs are tailored to you – your style & personality, and your priorities for the music and choice of dance. Our friendly, certified Dance Instructors can teach everything from a few simple dance steps to a fully-choreographed routine for your entire wedding party – it’s up to you!

For many couples, however, their First Dance can be a nerve-wracking experience. But after just a few Wedding Dance lessons at Fred Astaire Dance Studios, you’ll have the skills and confidence to wow your guests on the dance floor and create special memories you’ll always treasure.

Wedding dance lessons are a great way to have fun and relax before the Big Day. With all the decisions, schedules and deadlines involved in wedding planning, enjoying this time together that’s just for you can help you both de-stress and re-energize – and we promise you’ll have lots of fun doing it!

Looking for something really memorable? We can choreograph a “YouTube-worthy” wedding dance for the whole wedding party, that’s set to your favorite music! Extend those special wedding day moments with an awesome routine you’ll want to re-live, again and again.

A memorable Father/Daughter and Mother/Son dance is a fabulous complement to your First Dance. Including your parents (or the special friends or family members who will be standing in that traditional role) in your wedding dance is a wonderful way to show your love and gratitude.

Your First Dance is an eternal expression of your love and commitment – for you and your new spouse, as well as for the special guests celebrating with you. From a few simple steps to get by to a fully choreographed routine, we can help make your first dance as exceptional as the rest of your wedding day.

Customize our Wedding Dance Instruction Programs specifically for you, to give you both the confidence and skills to show off your elegance, style – and maybe even a little personality on the dance floor, on your big day. We’ll help you develop a special “First Dance” that’s totally “YOU” – be that elegant, contemporary or just plain fun.

Collectively, Fred Astaire Dance Instructors are dedicated to helping you discover the joy of ballroom dancing, and to making your learning experience enjoyable, educational, rewarding – and FUN!

At Fred Astaire Dance Studios, we will tailor programs to meet your individual goals and budget.

At Fred Astaire Dance Studios, we will tailor programs to meet your individual goals and budget.

From a simple First Dance to a “YouTube-Worthy” routine for the entire wedding party, Fred Astaire Dance Studios can help make your Wedding Day even more special!

Whether you’re interested in wedding dance lessons, a new hobby or way to connect with your partner, improving your social life, physical or emotional well-being, or taking your skills to the next level, you’ve come to the right place – and we’re happy you’re here!