Fred Astaire Dance Studios

Learn how to ballroom dance in a warm, welcoming, and non-judgmental community that will inspire you to feel confident and have fun.

Advance your current dancing abilities and reach new heights with our professional instructors and proven teaching methods. Perfect your technique.

Boost your social life by learning to dance and meeting new people in a friendly and supportive environment. Expand your social circle.

Strengthen your bond or rediscover your connection through partner dancing. It's a fantastic way to spend quality time together.

Engage in a fun and exciting way to exercise by learning to dance. It's a great workout that you'll actually look forward to.

Discover the joy of dance as a new hobby, providing a creative outlet and a fun way to spend your free time. Join our welcoming community.

Learn romantic wedding dances to make your special day even more memorable with our expert instruction. We cater to all skill levels.

West Coast Swing (or Western Swing) quickly gained popularity across the U.S. because of its sophisticated style and easy adaptation to contemporary rock music. A regional style popular on the West Coast of the U.S., the dance made a bid for national recognition in the late 50s and continues to grow in popularity in the 21st century.

The Waltz dates back to the country folk dances of Bavaria, some 400 years ago, but was not introduced into “society” until 1812, when it made its appearance in English ballrooms.

The Viennese Waltz, as its known today, was first danced by European royalty during the era of the Austrian composers, Johann Strauss I and Johann Strauss II (1800s). Its hallmark charisma and social grace is typical of that period of history. The Viennese Waltz became the only dance of that era which is still performed by the American public. Waltz music expresses eloquently, the carefree gaiety of those bygone days that are so closely linked to Vienna, The Blue Danube and Strauss. The most startling innovation of the dance was the close proximity of the partners; so daring, it only became socially acceptable in Great Britain after it was danced publicly by Queen Victoria. It is a dance that requires a great deal of control and stamina, due mainly to the tempo of the music. The Viennese Waltz is a progressive and turning dance and features some figures that are danced in place. Rise and fall is used in the dance but differently than in other smooth dances. In Waltz and Foxtrot, a dancer will often rise above their normal standing height but in the Viennese Waltz that’s not done. Rise is created through the knees and body. From wedding dance instruction, to a new hobby or a way to connect with your partner, you’ll learn more, faster and with more FUN, at Fred Astaire Dance Studios! Contact us today, and be sure to ask about our special introductory offer for new students.

During the greatest period of the dance evolution in American history (1910-1914), the Tango made its first appearance. It was instantly a hit with the dance-conscious public for its intriguing, asymmetrical, and sophisticated patterns which added a touch of romance to the country’s dance consciousness.

The Brazilian Samba was first introduced to the U.S. Dance Masters in 1929, it became an overnight sensation. Like many other Brazilian dances, the music is an amalgamation of African and Latin American rhythm that is adorned with expressive, melodic lines. In form, the Samba is a serenade; the repetition of its melody is continually interrupted by the strumming of a guitar or other stringed instruments. Originating in Bahia, Brazil, the dance first became popular in Rio de Janeiro, and later, its intoxicating rhythm was taken up by serious Latin American composers. The Samba is festive and lighthearted, and performed today in all parts of the world. It brings to mind pictures of Rio’s festive and exotic Carnival! In its native land, the Samba is usually danced to a moderately slow tempo which contrasts vividly with the spirited version favored in U.S. The Samba has withstood the test of time and still ranks high among social as well as competitive dancers.

Oozing with a sensuous style, Salsa has it all – passion, energy, and joy. As a dance form, Salsa has its origins in the Cuban Son and the Afro-Cuban dance, Rumba. As it relates to the popular music style, Salsa is continuously evolving, and new modern dance styles are associated and named according to the geographical areas that they are developed in.

Rumba (or “ballroom-rumba”), is one of the ballroom dances which occurs in social dance and in international competitions. It is the slowest of the five competitive International Latin dances: the Paso Doble, The Samba , The Cha Cha , and the Jive being the others. This ballroom Rumba was derived from a Cuban rhythm and dance called the Bolero-Son; the international style was derived from studies of dance in Cuba in the pre-revolutionary period which was then popularized by the descendants of African slaves of Cuba. Its tantalizing rhythm first invaded the United Sates in the early 1930s, and has remained one of the most popular social dances. The Rumba is characterized by a smooth, subtle hip motion and a heavy walking step. Of the three styles of Rumba that were introduced to the United States, the Bolero-Rumba, the Son-Rumba and the Guaracha-Rumba, only the Bolero-Rumba (shortened to Bolero) and the Son-Rumba (shortened to Rumba) have survived the test of time. The Guaracha-Rumba quickly faded in popularity when the more exciting Mambo was introduced to Americans in the late 1940s. The Rumba is danced in place as the steps are quite compact. Although the Rumba is not danced with the same body contact that is used in smooth-style dances, there may be times when partnership looks and feels more attractive when a closer contact is felt. A smooth and subtle movement of the hips is characteristic of the Rumba.

The Quickstep, with its roots in Ragtime, was developed in the 1920’s in New York from a combination of Foxtrot, Charleston, Peabody and the One-Step. Originally it was danced solo – away from the partner, but later became a partner dance.

The Paso Doble (or pasodoble), in its classical form dates back many centuries and was originally intended for use at bullfights when the matador was victorious in the arena. The music adapted itself so beautifully to the dance that the villagers danced to the exciting, lively music for hours on end. Americans first viewed the Paso Doble when flamenco dancers used this music to dance the role of a bullfighter. It has been a favorite (in its ballroom version) since the 1930s. In the ballroom version of the Paso Doble, the gentleman usually portrays the bullfighter and the lady is his cape, although there are times when a very strong aggressive action in certain movements seems to suggest the actions of the bull. The Paso Doble moves around the floor and is characterized by sharp movements. A most helpful aid in acquiring the proper feeling is to visualize the pageantry of the matadors, as they make their grand entry into the bull ring and feel the attitude that is displayed during the fight.

Both Haiti and the Dominican Republic claim Merengue as their own. According to Haitian lore, an earlier ruler of their country had a lame son who liked to dance. In order that this beloved prince would not feel self-conscious about his affliction, the entire populace took to dancing as though they all were lame. The Dominican’s version is that the dance originated at a fiesta that was given to honor a returning war hero. When the brave warrior rose to dance, he limped on his wounded left leg. Rather than make him feel self-conscious, all the men present favored their left legs as they danced. In both countries for many generations, the Merengue was taught and danced with these back stories in mind. When couples got up to dance the Merengue, the man favored his left leg and the lady favored her right leg; while flexing their knees a bit more than usual and at the same time leaning the body slightly to the same side. Haitians and Dominicans alike refer to the Merengue as their “singing dance;” this is understandable when you consider the exhilarating brightness of the staccato rhythm. The Merengue is danced in place to Latin music.

No other dance from south of the (U.S.) border has ever attained the instantaneous popularity than the zestful Mambo did when it was first introduced from Latin America.

Jive evolved from the popular American dances of the 1930’s such as Jitterbug, Boogie-Woogie, Lindy Hop, East Coast Swing, Shag, Rock “n” Roll etc. Eventually all of these styles of dance would be coupled under the Hat of “Jive”, but in the 1940’s a combination of these styles was given the name “Jive” and the dance was born. During World War II American G.I’s took the dance to Europe where it soon became very popular, especially among the young. It was new, fresh, and exciting. It was adapted by the French and became very popular in Britain and eventually in 1968 it was adopted as the fifth Latin dance in International competitions. The modern form of ballroom jive is a very happy and boppy dance, with many flicks & kicks. The Jive music is written in 4/4 time and should be played at a tempo of about 38 – 44 bars per minute. A spot dance not moving along the Line of Dance. Relaxed, springy action is the basic characteristic of the International Style Jive with lots of flicks and kicks in the advanced style.

In the late 1960s and throughout the 1970s, discotheques (or discos), with high quality sound systems and flashing lights became a popular form of entertainment in Europe and the U.S. Early ‘70s dancing in discos was mostly freestyle dancing (similar to the “rock” style exhibited by pop stars of the day like The Jackson 5) along with the prerequisite dress code of bellbottom pants and elevator shoes. In 1973, at a disco called The Grand Ballroom, a new type of “touch dance” without a name was being exhibited by females. This simple 6-count step with a very basic form, including inside and outside single turns, would give birth to what would later be called “Hustle.” The young men of the club took notice, and became interested in this new dance. As it began to gain popularity and more people began to participate, the Hustle started to evolve. In the Latin discotheques of that day, including The Corso, Barney Goo Goo’s, and The Ipanema, disco music was used as a bridge between live band sets. In these clubs, touch dancing had always been present in the form of mambo , salsa , cha cha and bolero . Although considered very much a touch dance, the Hustle was now performed mostly side-by-side and incorporated a lot of the intricate turn patterns of the mambo. The dance also included multiple turns and hand changes with a rope-y feel to the arm movements; hence, the dance was now referred to as the “Rope Hustle” or “Latin Hustle.” As dance contests sprung up across the U.S. and the phenomenon spread, many Hustle dancers were also involved in the professional performing arts community and contributed long balletic arms and elasticity to the movement. Around this time, the dance also began to move from a slotted pattern into a rotational one. As dance contests increased, young competitors were seeking an edge and so acrobatic and adagio movements were introduced into the dance for performances and competitions. In 1975, this new field of entertainment inspired nightclubs, hotels and television programs to hire young and innovative professionals to perform. With these new opportunities opening up, the young dancers sought out innovative ways to excite the club audiences. Throughout the late 1970s, even though Hustle was still taught in many different forms (4-count Hustle, the Latin or Rope Hustle) by dance studios, the most exciting form was done by NYC club dancers and competitors who performed the 3-count count Hustle (&-1-2-3.). The NYC Hustle dancers from the ‘70s paved the way for the rest of the Hustle community across the U.S. As it continued to evolve, Hustle began to borrow from other dance styles including smooth ballroom, from which it took traveling movements and pivots and other partner dance forms such as swing and the Latin rhythm dances. Hustle is danced to the contemporary pop dance music of the last 20 years. It is a fast, smooth dance, with the lady spinning almost constantly, while her partner draws her close and sends her away. Free rhythmic interpretation is characteristic of this dance. So what are you waiting for? Give us a call at Fred Astaire Dance Studios . And ask about our Introductory Offer for new Students… our talented and friendly dance instructors can help you realize your ballroom dancing goals!

The Foxtrot dance step was named after Harry Fox, a vaudeville dancer and comedian, who was believed to be the first to use the “slow step.” This first freestyle use of the “slow step” came into vogue around 1912, during the period of ragtime music. This marked a completely new phase of ballroom dancing where partners danced much closer together and ad-libbed to the new and exhilarating music. By 1915, new and melodic “pop” songs were being written, and the public began to appreciate a smoother, more rhythmic style of music, and their dancing began to absorb the better attributes of the older dances. From 1917 up to the present time, the accent has been placed on smoother dancing and individualized expression. By 1960, the International style of dancing was making its way into the U.S. ballrooms and many of the techniques were implemented into the American style Foxtrot. The International style Foxtrot is danced entirely in contact maintaining the normal dance hold, while the American style allows for complete freedom of expression utilizing various dance holds and positions. With its smooth and sophisticated feeling, most figures are designed for the larger ballroom floor. However, these same figures are also suited to the average dance floor when danced more compactly.

Eastern Swing or East Coast Swing (or just Swing), evolved from the Lindy Hop and is perhaps the most famous American folk dance. The best known forms of Swing include the Charleston, Black Bottom, and Shag. In the early 1940s, these forms consolidated into what was called the Lindy. The Lindy was first danced as a modified box step, with a slight shuffling movement. The shuffling movement of the original Lindy can be likened to today’s single rhythm in Swing. As the shuffling, or single rhythm progressed, it evolved into both the double and triple time Lindy. Today all three form the basis of good Swing dancing. About 55 years ago, Swing was danced in the Harlem section of NYC at a time when band greats such as Chic Webb, Duke Ellington and Benny Goodman were popular and it was there where the dance took on most of today’s popular steps and styling. For many years, the better establishments frowned upon the wilder forms of Swing dancing because the acrobatics involved limited the number of people who could dance at one time. It is possible however, to do fine dancing in a relatively small area. There is no question that Swing is here to stay. In all parts of the country one can find dancers adding their own interpretations and changes to style. All dances, in order to survive, must be built up from a firm basic movement so that adlibbing and complete freedom of expression can be interpreted into the dance. Swing has these attributes. Swing dancing was revived in the late 1990’s to the early 2000’s by such bands as the Brian Setzer Orchestra and the Big Bad Voodoo Daddy. The Swing is a spot dance that does not move along the line of dance. Free rhythmic interpretation is characteristic, using single, double or triple rhythms. A relaxed shuffling movement and use of upper body sway is also used to highlight the Swing.

Cha Cha is a dance of Cuban origin, and derives its name from the rhythm developed by a syncopation of the fourth beat. Cha Cha gathers its flavor, rhythm and charm from a derivation of three primary sources: the Mambo, Rumba, and indirectly, the Lindy (with each being danced to the same one-two-three triple step). The Cha Cha, while sprung up from Latin American roots in Cuba, really flowered under North American influence. While closely identified with the aforementioned Mambo , Cha Cha has enough intrinsic individuality to be classified as a distinct dance. Much has been written about the history of the Rumba and the Mambo, while little has been explored about the origins of Cha Cha, despite it being a dance to be reckoned with.

The Bolero was introduced to a U.S. audience in the mid-1930s; and at that time, it was danced in its classical form, which was performed to a constant beat of drums. It emerged from this classical form to what was called Son, with a faster and livelier tempo (later renamed as the Rumba). Spanish dancer Sebastian Cereza is credited with creating the dance in the year 1780; since then, the Bolero has remained a true source of expressing sensuous feelings. It is truly the “dance of love.” The Bolero is one of the most expressive dances: the use of arms and hands, legs and feet, as well as facial expression, all contribute to its beauty. Get started with your dancing adventure today, at Fred Astaire Dance Studios. We look forward to seeing you on the dance floor!

Argentine Tango is a dance and music that originated in Buenos Aires at the turn of the century, developed in the melting pot of cultures that was Buenos Aires.

At Fred Astaire Dance Studios, we are experts at all styles of ballroom dance – and can incorporate any one (or more!) of them into your Wedding Dance choreography. From a classic Waltz or Foxtrot or sultry Tango, to a fun & lively Country Western Two-Step and more, our certified Dance Instructors can help!

Wedding party dance routines can really get the party going. Fred Astaire Dance Studios can help with unique and memorable dance routines. We know how important music is for these dance routines so if you have a song you want to dance to, we will make it happen!

Create lasting memories with your parents with customized Father/Daughter and Mother/Son dances. These are a great complement to your first dance. Not only can you get your parents involved, but family and friends are welcome to dance with you as well.

Fred Astaire Dance Studios provides customized wedding dance instruction programs to help give you confidence and skills to show off during your special wedding day. We can help you create a unique “First Dance” that will give you memories that will last a lifetime.

At Fred Astaire Dance Studios, we are experts at all styles of ballroom dance – and can incorporate any one (or more!) of them into your Wedding Dance choreography. From a classic Waltz or Foxtrot or sultry Tango, to a fun & lively Country Western Two-Step and more, our certified Dance Instructors can help!

Our knowledgeable instructors have all the wisdom and experience to create a unique routine that is sure to wow all your guests as you step out onto the dance floor for the first time as husband and wife. Whether you are looking to learn a few simple steps or a fully choreographed routine, Fred Astaire Dance Studios can help make your first dance as memorable as the moment you say I do.

Amaze your family and friends with your new-found dance skills, and enjoy magical wedding memories that will be yours forever. Fred Astaire Dance Studios provides customized wedding dance instruction programs to help give you confidence and skills to show off during your special wedding day.

Learn the joy of ballroom dancing with our expert instructors and a proven teaching method developed by Fred Astaire himself.

Practice parties are dedicated sessions designed for students to practice their newly acquired dance skills in a social setting.

Specialized dance lessons to prepare you for your first dance as a married couple, or for the entire wedding party.

Group lessons offer a social and fun learning environment where you can learn new steps and techniques with other students.

Private lessons are a one-on-one instructional session designed to focus on your specific dance goals and progress.

Our Beginner and Social Foundation Programs teach newer students the step patterns and techniques to move comfortably around the dance floor.

Regularly scheduled practice parties complete the information taught in your private lessons and group classes. At Fred Astaire Dance Studios’ practice parties, we turn down the lights, turn up the music, and enjoy time dancing with different people in a relaxed social setting. Practice parties help you “put it all together”, aid with music identification, and help you learn how not to run into other people on the dance floor. Practice parties are a great (& FUN!) way to apply what you’re learning.

Group classes complement your private lessons, because this is where patterns, technique, and style are learned. Group classes also enable you to meet other students with similar dancing goals, develop balance, and learn the mechanics of dancing.

Private lessons, with one or more dance instructors, give you the specialized and personalized attention to look and feel confident on the dance floor, while developing the ability to lead or follow any partner. We move at your pace, perfecting and polishing your dancing all the while.

Originally inspired by Fred Astaire’s superb style of dancing, Fred Astaire Dance Studios’ ballroom dance curriculum covers the full range of American, Latin-American, International Style, Exhibition/Theater Arts dances and more. World famous dance champions and registered members of the Fred Astaire International Dance Council continually study and review our curriculum, to ensure that only the finest, most up-to-date programs are offered to our students. Our unique teaching method includes a three-tiered system of regularly scheduled private lessons, group classes and practice parties.

1 Private Lesson and 1 Group Lesson special offer for new students to start their dance journey.

Dance lesson programs are designed to fit each student’s specific interests & goals. We will tailor programs to meet your individual goals and budget.

Dance lesson programs are designed to fit each student’s specific interests & goals. We will tailor programs to meet your individual goals and budget.

From a simple First Dance to a “YouTube-Worthy” routine for the entire wedding party, Fred Astaire Dance Studios can help make your Wedding Day even more special!

Practice Parties are part of our proven teaching method to ensure you learn as much as possible, in the shortest amount of time, with the most retention and have the most FUN doing it.

Group Lessons are part of our proven teaching method to ensure you learn as much as possible, in the shortest amount of time, with the most retention and have the most FUN doing it.

Private Lessons are part of our proven teaching method to ensure you learn as much as possible, in the shortest amount of time, with the most retention and have the most FUN doing it.

Wedding dance lessons are a great way to have fun and relax before the Big Day. Enjoy this time together that’s just for you can help you both de-stress and re-energize, and we promise you’ll have lots of fun doing it.

Have something bigger in mind? We can choreograph the whole dance with you – even include the wedding party! There are no hard & fast rules – so you decide on the plan.

In just a short amount of time, our certified Lakeview Dance Instructors can help you learn a few basic steps, so you’ll feel at ease and confident on your wedding day.

We can choreograph a 'YouTube-worthy' wedding dance for the whole wedding party, set to your favorite music! Extend those special wedding day moments with an awesome routine you’ll want to re-live, again and again.

A memorable Father/Daughter and Mother/Son dance is a wonderful complement to your First Dance. We recommend scheduling a few wedding dance lessons for them, too, to include them in your special celebration.

Customized instruction programs to give you the confidence and skills to show off your elegance, style, and personality on your wedding day dance floor. We help you create a special First Dance that is totally 'YOU'.

20 Private Lessons, Two Social Dances, Two Practice Parties, Use of the Studio for Practice, Your First Dance Choreographed to Your Special Song With Picture Steps. This comprehensive package provides the most extensive instruction and practice opportunities for your wedding dance.

15 Private Lessons, Two Social Dances, One Practice Party, Use of the Studio for Practice, Your First Dance Choreographed to Your Special Song with Picture Steps. This package offers more private lessons and social dances to enhance your wedding day performance.

10 Private Lessons, One Social Dance, One Practice Party, Use of the Studio for Practice, Your First Dance Choreographed to Your Special Song. This package is designed to give you confidence and skills to show off your elegance and style on your wedding day.

This gift certificate offers a group class membership, granting access to any scheduled group dance classes on the studio's calendar for a month.

An extensive gift certificate package featuring five private dance lessons, five group dance lessons, and four practice parties, designed for serious dance students.

This gift certificate provides two private dance lessons, two group dance lessons, and one social dance party, offering a well-rounded introduction to dancing.

A thoughtful gift for aspiring dancers, this certificate includes one private dance lesson and one group dance lesson, allowing recipients to begin their dance journey.

Gain access to any group dance classes listed on the studio's calendar with this flexible membership, perfect for exploring a variety of styles and meeting new dance partners.

This premium offer provides five private dance lessons, five group dance lessons, and four practice parties, ideal for dedicated students looking to significantly advance their dance skills.

This package includes two private dance lessons, two group dance lessons, and one social dance party, offering a comprehensive experience for individuals or couples.

This special offers one private dance lesson and one group dance lesson, providing a balanced introduction to various dance styles and techniques for new students.

The Bronze Trophy Program enables students to dance on any size dance floor, to any music, with any partner, and feel comfortable and confident.