Fred Astaire Dance Studios

From a simple First Dance to a “YouTube-Worthy” routine for the entire wedding party, Fred Astaire Dance Studios can help make your Wedding Day even more special!

Our proven teaching method includes Private Lessons, Group Lessons and Practice Parties, to ensure you learn as much as possible, in the shortest amount of time, with the most retention… and have the most FUN doing it!

Our proven teaching method includes Private Lessons, Group Lessons and Practice Parties, to ensure you learn as much as possible, in the shortest amount of time, with the most retention… and have the most FUN doing it!

Our proven teaching method includes Private Lessons, Group Lessons and Practice Parties, to ensure you learn as much as possible, in the shortest amount of time, with the most retention… and have the most FUN doing it!

In group lessons, weekly practice parties, regional and national competitions and studio events and outings, you’ll meet a melting pot of people of all ages, with varied cultural and occupational backgrounds. And the best part? Since they all share your passion for dance, these meetings often transition into lasting friendships.

Ballroom dance lessons offer you a great opportunity to expand your social circle, build connections and engage with people in a low-pressure environment, where there are no expectations. It’s perfect for younger singles who want to step up their dating game, couples looking to reconnect, and for adults interested in discovering something new and inspiring, just for them.

The physical act of dancing releases endorphins, and lowers the levels of stress hormones in our bodies. This produces a sense of alert calm, and improves mood and energy levels. Ballroom dance as anxiety or depression treatment is more likely to be voluntarily continued by participants than some traditional forms of therapy, which can further increases its effectiveness.

Group activities such as ballroom dance lessons can expand your sense of social “connectedness”, which is beneficial to lowering stress and depression levels. Ballroom dance is similar to the practice of mindful meditation (which has been shown to significantly reduce levels of depression and stress) in that it requires you to fully focus your attention, and be present in the moment.

Dance lessons provide an enjoyable escape from your normal daily routine, plus a chance to relax, relieve stress, and concentrate just on yourself. Our students often tell us that even if they’re “not feeling it” when they arrive for a lesson, once they stretch and start dancing, they’re able to forget about the day’s triggers, simply b-r-e-a-t-h-e and let the dance take over.

Dance provides an emotional outlet to express your feelings through body movements, with passion and flair. Ballroom dancing can be a wonderful creative outlet to enhance your ability to permanently use these expressive qualities even when you are not dancing, and to share that creativity with others.

Every opportunity to dance – whether during a lesson or a social event, whether with your significant other or a new dance partner – will help improve your comfort level, confidence and communication skills on the dance floor. As your dance technique improves and you feel more at ease with other people, your sense of accomplishment, motivation and confidence will continue to increase.

Among younger dancers, the results can also be significant. Swedish researchers studying teenaged girls with stress, anxiety and depression saw a decrease in anxiety and stress levels among those who took up partner dancing. They also saw marked improvement in mental health and patients reported being happier than those who did not participate in dancing.

Research has found that ballroom dancing improves mental acuity throughout a dancer’s life – and that there are also substantial benefits to those who start ballroom dance as adults. Ballroom dancing can help enhance memory, alertness, awareness, focus, and concentration. It can prevent the onset of dementia and significantly improve spatial memory in elderly patients.

Ballroom dance can decrease blood pressure and cholesterol, improve cardiovascular health, strengthen weight-bearing bones, help prevent or slow bone loss related to osteoporosis, lower the risks of obesity and Type 2 Diabetes, and promote increased lung capacity. It can help speed up recovery after orthopedic surgery since it’s a lower impact exercise than jogging or biking.

Ballroom dancing contributes to the build-up of muscle strength because the act of dancing forces a dancer’s muscles to resist against their own body weight. The use of quick steps, lifts, twists and turns, will help you develop more muscle strength in your arms, legs and core as your lessons continue.

A reputable ballroom dance class will typically begin with a few stretching exercises, to get you prepped to execute dance steps with comfort & ease, and to protect against dance-related injury. Beginner dancers especially will notice that the more you dance, the more flexibility and range of motion your body develops.

Ballroom dancing is a low-impact aerobic activity that burns fat and can boost your metabolism. In just thirty minutes of dance, you can burn between 200-400 calories – that’s roughly the same amount as running or cycling! Burning an extra 300 calories a day can help you lose between ½-1 pound a week (and THAT can add up quickly).

Ballroom dancing is that perfect combination of physical activity, social interaction, and mental stimulation, and it can bring so much to your life. It’s a great workout; has documented physical and mental health benefits; can enhance your social life and self-confidence; reduces stress and depression; promotes relaxation; is a wonderful outlet for self-expression and creativity; and it’s FUN!!

West Coast Swing (or Western Swing) quickly gained popularity across the U.S. because of its sophisticated style and easy adaptation to contemporary rock music. A regional style popular on the West Coast of the U.S., the dance made a bid for national recognition in the late 50s and continues to grow in popularity in the 21st century. West Coast Swing incorporates many forms of swing including the Lindy, Shag, Whip and Push. Versatile dancers, eager to display their talent, are continually innovating new and interesting movement in swing. After nearly five decades, Western Swing has endured the test of time, and as with the Eastern Swing, it is possible to dance in a relatively small area. The West Coast Swing is danced in place in a slot. Its slower tempo allows for freer rhythmic interpretations using single, double, triple and various other syncopated rhythms. A relaxed, sometimes shuffling movement and upright position are characteristic. Occasional use of hip movements and or push style is also used to enhance the style of the dance.

Slow Waltz is a tempo variation of the Waltz, the slowest of the three distinct tempos, and is of American invention, designed for graceful movement.

Medium Waltz is a tempo variation of the Waltz, slower than the Viennese style, and is of American invention, featuring a smooth, lilting style.

The Viennese Waltz is a fast-paced variation of the Waltz, originating from Austria and known for its rapid turns and fluid movement across the ballroom floor.

In those early days, the Waltz had quite a few different names. Some of these names were the Galop, Redowa, Boston and the Hop Waltz.

During the 16th century, it was simply danced as a round dance called the Volte. In most dance history books, it is often stated that the Volte made its first outside appearance in Italy, and then later on to France and Germany.

The Waltz dates back to the country folk dances of Bavaria, some 400 years ago, but was not introduced into “society” until 1812, when it made its appearance in English ballrooms.

The Viennese Waltz, as its known today, was first danced by European royalty during the era of the Austrian composers, Johann Strauss I and Johann Strauss II (1800s). Its hallmark charisma and social grace is typical of that period of history. The Viennese Waltz became the only dance of that era which is still performed by the American public. Waltz music expresses eloquently, the carefree gaiety of those bygone days that are so closely linked to Vienna, The Blue Danube and Strauss. The most startling innovation of the dance was the close proximity of the partners; so daring, it only became socially acceptable in Great Britain after it was danced publicly by Queen Victoria. It is a dance that requires a great deal of control and stamina, due mainly to the tempo of the music. The Viennese Waltz is a progressive and turning dance and features some figures that are danced in place. Rise and fall is used in the dance but differently than in other smooth dances. In Waltz and Foxtrot, a dancer will often rise above their normal standing height but in the Viennese Waltz that’s not done. Rise is created through the knees and body.

The Tango is a progressive dance where the staccato movement of the feet and flexed knees highlight the dramatic style of the dance. The Tango is one of the most highly stylized ballroom dances. It is dramatic with measured crossing and flexing steps and poised pauses. Perhaps the main reason for its widespread popularity is that it is danced close to the partner.

The Brazilian Samba was first introduced to the U.S. Dance Masters in 1929, it became an overnight sensation. Like many other Brazilian dances, the music is an amalgamation of African and Latin American rhythm that is adorned with expressive, melodic lines.

Oozing with a sensuous style, Salsa has it all – passion, energy, and joy. As a dance form, Salsa has its origins in the Cuban Son and the Afro-Cuban dance, Rumba. As it relates to the popular music style, Salsa is continuously evolving, and new modern dance styles are associated and named according to the geographical areas that they are developed in. Some of the popular Salsa styles are Cuban, Columbian, Los Angeles, New York (or Eddie Torres Style), Palladium, Puerto Rican, Rueda, and On Clave.

Rumba (or “ballroom-rumba”), is one of the ballroom dances which occurs in social dance and in international competitions. It is the slowest of the five competitive International Latin dances: Mambo , the Paso Doble , the Samba , the Cha Cha , and the Jive being the others. This ballroom Rumba was derived from a Cuban rhythm and dance called the Bolero-Son; the international style was derived from studies of dance in Cuba in the pre-revolutionary period which was then popularized by the descendants of African slaves of Cuba. Its tantalizing rhythm first invaded the United Sates in the early 1930s, and has remained one of the most popular social dances. The Rumba is characterized by a smooth, subtle hip motion and a heavy walking step. Of the three styles of Rumba that were introduced to the United States, the Bolero-Rumba, the Son-Rumba and the Guaracha-Rumba, only the Bolero-Rumba (shortened to Bolero) and the Son-Rumba (shortened to Rumba) have survived the test of time. The Guaracha-Rumba quickly faded in popularity when the more exciting Mambo was introduced to Americans in the late 1940s. The Rumba is danced in place as the steps are quite compact. Although the Rumba is not danced with the same body contact that is used in smooth-style dances, there may be times when partnership looks and feels more attractive when a closer contact is felt. A smooth and subtle movement of the hips is characteristic of the Rumba.

The Quickstep, with its roots in Ragtime, was developed in the 1920’s in New York from a combination of Foxtrot, Charleston, Peabody and the One-Step. Originally it was danced solo – away from the partner, but later became a partner dance. It was originally given the name “Quick Time Fox Trot” but eventually that name was changed to Quickstep.

The Paso Doble (or pasodoble), in its classical form dates back many centuries and was originally intended for use at bullfights when the matador was victorious in the arena. The music adapted itself so beautifully to the dance that the villagers danced to the exciting, lively music for hours on end. Americans first viewed the Paso Doble when flamenco dancers used this music to dance the role of a bullfighter. It has been a favorite (in its ballroom version) since the 1930s. In the ballroom version of the Paso Doble, the gentleman usually portrays the bullfighter and the lady is his cape, although there are times when a very strong aggressive action in certain movements seems to suggest the actions of the bull. The Paso Doble moves around the floor and is characterized by sharp movements. A most helpful aid in acquiring the proper feeling is to visualize the pageantry of the matadors, as they make their grand entry into the bull ring and feel the attitude that is displayed during the fight.

Both Haiti and the Dominican Republic claim Merengue as their own. According to Haitian lore, an earlier ruler of their country had a lame son who liked to dance. In order that this beloved prince would not feel self-conscious about his affliction, the entire populace took to dancing as though they all were lame. The Dominican’s version is that the dance originated at a fiesta that was given to honor a returning war hero. When the brave warrior rose to dance, he limped on his wounded left leg. Rather than make him feel self-conscious, all the men present favored their left legs as they danced. In both countries for many generations, the Merengue was taught and danced with these back stories in mind. When couples got up to dance the Merengue, the man favored his left leg and the lady favored her right leg; while flexing their knees a bit more than usual and at the same time leaning the body slightly to the same side. Haitians and Dominicans alike refer to the Merengue as their “singing dance;” this is understandable when you consider the exhilarating brightness of the staccato rhythm. The Merengue is danced in place to Latin music.

No other dance from south of the (U.S.) border has ever attained the instantaneous popularity than the zestful Mambo did when it was first introduced from Latin America. The extent of the Mambo’s reach can be observed by the widespread use of its rhythm by Tin Pan Alley.

The modern form of ballroom jive is a very happy and boppy dance, with many flicks & kicks. The Jive music is written in 4/4 time and should be played at a tempo of about 38 – 44 bars per minute. A spot dance not moving along the Line of Dance. Relaxed, springy action is the basic characteristic of the International Style Jive with lots of flicks and kicks in the advanced style.

Jive evolved from the popular American dances of the 1930’s such as Jitterbug, Boogie-Woogie, Lindy Hop, East Coast Swing, Shag, Rock “n” Roll etc. Eventually all of these styles of dance would be coupled under the Hat of “Jive”, but in the 1940’s a combination of these styles was given the name “Jive” and the dance was born.

Hustle is a fast, smooth dance characterized by free rhythmic interpretation, with the lady spinning almost constantly while her partner draws her close and sends her away. It evolved from freestyle dancing in discotheques and incorporated elements from mambo, salsa, cha cha, and bolero, featuring intricate turn patterns, multiple turns, hand changes, and a rope-y feel to arm movements. It later borrowed from ballroom and swing dance forms, with contemporary pop dance music from the last 20 years.

The Foxtrot is a smooth and sophisticated ballroom dance. Figures are designed for the larger ballroom floor but are also suited to the average dance floor when danced more compactly. It emphasizes smoother dancing and individualized expression, with variations in International and American styles.

Eastern Swing or East Coast Swing (or just Swing), evolved from the Lindy Hop and is perhaps the most famous American folk dance. The best known forms of Swing include the Charleston, Black Bottom, and Shag. In the early 1940s, these forms consolidated into what was called the Lindy.

Cha Cha is a dance of Cuban origin, and derives its name from the rhythm developed by a syncopation of the fourth beat. Cha Cha gathers its flavor, rhythm and charm from a derivation of three primary sources: the Mambo, Rumba, and indirectly, the Lindy (with each being danced to the same one-two-three triple step). The Cha Cha, while sprung up from Latin American roots in Cuba, really flowered under North American influence.

The Bolero was introduced to a U.S. audience in the mid-1930s; and at that time, it was danced in its classical form, which was performed to a constant beat of drums. It emerged from this classical form to what was called Son, with a faster and livelier tempo (later renamed as the Rumba). Spanish dancer Sebastian Cereza is credited with creating the dance in the year 1780; since then, the Bolero has remained a true source of expressing sensuous feelings. It is truly the “dance of love.” The Bolero is one of the most expressive dances: the use of arms and hands, legs and feet, as well as facial expression, all contribute to its beauty.

Tango is a dance and music that originated in Buenos Aires at the turn of the century, developed in the melting pot of cultures that was Buenos Aires. The word Tango was used at the time to describe various music and dance. The exact origins of Tango—both the dance and the word itself—are lost in myth and an unrecorded history. The generally accepted theory is that in the mid-1800s, African slaves were brought to Argentina and began to influence the local culture. The word “Tango” may be straightforwardly African in origin, meaning “closed place” or “reserved ground.” Or it may derive from Portuguese (and from the Latin verb tanguere, to touch) and was picked up by Africans on the slave ships. Whatever its origin, the word “Tango” acquired the standard meaning of the place where African slaves and others gathered to dance. Most likely the Tango was born in African-Argentine dance venues attended by compadritos, young men, mostly native born and poor, who liked to dress in slouch hats, loosely tied neckerchiefs and high-heeled boots with knives tucked casually into their belts. The compadritos took the Tango back to the Corrales Viejos—the slaughterhouse district of Buenos Aires—and introduced it in various low-life establishments where dancing took place: bars, dance halls and brothels. It was here that the African rhythms met the Argentine milonga music (a fast-paced polka) and soon new steps were invented and took hold. Eventually, everyone found out about the Tango and, by the beginning of the twentieth century, the Tango as both a dance and as an embryonic form of popular music had established a firm foothold in the fast-expanding city of its birth. It soon spread to provincial towns of Argentina and across the River Plate to Montevideo, the capital of Uruguay, where it became as much a part of the urban culture as in Buenos Aires. The worldwide spread of the Tango came in the early 1900s when wealthy sons of Argentine society families made their way to Paris and introduced the Tango into a society eager for innovation and not entirely averse to the risqué nature of the dance or dancing with young, wealthy Latin men. By 1913, the Tango had become an international phenomenon in Paris, London and New York. The Argentine elite who had shunned the Tango were now forced into accepting it with national pride. The Tango spread worldwide throughout the 1920s and 1930s and came to be a fundamental expression of Argentine culture, and the Golden Age lasted through the 1940s and 1950s. The current revival dates from the early 1980s, when a stage show Tango Argentino toured the world creating a dazzling version of the Tango that is said to have stimulated the revival in the US, Europe and Japan. 2008 is again a period of renewal, of tension between the international and the Argentine, between a desire to recreate the Golden Age, and another to evolve it in the light of modern culture and values. There is an explosion of interest around the world with places to dance in many cities and towns, and a growing circuit of international festivals. Whether you’re looking for a new hobby or a way to connect with your partner, want to improve your social life, or want to take your dancing skills to the next level, Fred Astaire Dance Studios New Berlin will have you dancing confidently – and having FUN from your very first lesson!

Tango is a dance and music that originated in Buenos Aires at the turn of the century, developed in the melting pot of cultures that was Buenos Aires. The word Tango was used at the time to describe various music and dance. The exact origins of Tango—both the dance and the word itself—are lost in myth and an unrecorded history. The generally accepted theory is that in the mid-1800s, African slaves were brought to Argentina and began to influence the local culture. The word “Tango” may be straightforwardly African in origin, meaning “closed place” or “reserved ground.” Or it may derive from Portuguese (and from the Latin verb tanguere, to touch) and was picked up by Africans on the slave ships. Whatever its origin, the word “Tango” acquired the standard meaning of the place where African slaves and others gathered to dance. Most likely the Tango was born in African-Argentine dance venues attended by compadritos, young men, mostly native born and poor, who liked to dress in slouch hats, loosely tied neckerchiefs and high-heeled boots with knives tucked casually into their belts. The compadritos took the Tango back to the Corrales Viejos—the slaughterhouse district of Buenos Aires—and introduced it in various low-life establishments where dancing took place: bars, dance halls and brothels. It was here that the African rhythms met the Argentine milonga music (a fast-paced polka) and soon new steps were invented and took hold. Eventually, everyone found out about the Tango and, by the beginning of the twentieth century, the Tango as both a dance and as an embryonic form of popular music had established a firm foothold in the fast-expanding city of its birth. It soon spread to provincial towns of Argentina and across the River Plate to Montevideo, the capital of Uruguay, where it became as much a part of the urban culture as in Buenos Aires. The worldwide spread of the Tango came in the early 1900s when wealthy sons of Argentine society families made their way to Paris and introduced the Tango into a society eager for innovation and not entirely averse to the risqué nature of the dance or dancing with young, wealthy Latin men. By 1913, the Tango had become an international phenomenon in Paris, London and New York. The Argentine elite who had shunned the Tango were now forced into accepting it with national pride. The Tango spread worldwide throughout the 1920s and 1930s and came to be a fundamental expression of Argentine culture, and the Golden Age lasted through the 1940s and 1950s. The current revival dates from the early 1980s, when a stage show Tango Argentino toured the world creating a dazzling version of the Tango that is said to have stimulated the revival in the US, Europe and Japan. 2008 is again a period of renewal, of tension between the international and the Argentine, between a desire to recreate the Golden Age, and another to evolve it in the light of modern culture and values. There is an explosion of interest around the world with places to dance in many cities and towns, and a growing circuit of international festivals. Whether you’re looking for a new hobby or a way to connect with your partner, want to improve your social life, or want to take your dancing skills to the next level, Fred Astaire Dance Studios New Berlin will have you dancing confidently – and having FUN from your very first lesson!

At Fred Astaire Dance Studios, we are experts at all styles of ballroom dance – and can incorporate any one (or more!) of them into your Wedding Dance choreography. From a classic Waltz or Foxtrot or sultry Tango, to a fun & lively Country Western Two-Step and more, our certified Dance Instructors can help!

Looking for something really memorable? Interesting in getting the whole wedding party involved? Bridesmaids? Groomsmen? We can choreograph a “YouTube-worthy” wedding dance for everyone in your party, that’s set to your favorite music!

A memorable Father/Daughter and Mother/Son dance is a wonderful compliment to your special day. Including your parents (or the special friends or family members who will be standing in that traditional role) in your wedding dance is a wonderful way to show your love and appreciation.

Your first dance is an everlasting expression of your love and commitment – for you and your new spouse, as well as for the special guests celebrating with you. In a short time, our qualified instructors will assist in teaching you a few basic steps or choreographing a full dance to “your special song.”

At Fred Astaire Dance Studios of New Berlin, we customize our Wedding Dance Instruction Programs just for you, to give you both the confidence and skills to show off your elegance, style – and maybe even a little personality on the dance floor, on your wedding day.

Group activities such as ballroom dance lessons can expand your sense of social “connectedness”, which is beneficial to lowering stress and depression levels. Ballroom dance is similar to the practice of mindful meditation (which has been shown to significantly reduce levels of depression and stress) in that it requires you to fully focus your attention, and be present in the moment.

Ballroom dance lessons provide an enjoyable escape from your normal daily routine, plus a chance to relax, relieve stress, and concentrate just on yourself. Our students often tell us that even if they’re “not feeling it” when they arrive for a lesson, once they stretch and start dancing, they’re able to forget about the day’s triggers, simply b-r-e-a-t-h-e and let the dance take over.

A reputable ballroom dance class will typically begin with a few stretching exercises, to get you prepped to execute dance steps with comfort & ease, and to protect against dance-related injury. Beginner dancers especially will notice that the more you dance, the more flexibility and range of motion your body develops.

Ballroom dancing is that perfect combination of physical activity, social interaction, and mental stimulation, and it can bring so much to your life. It’s a great workout; has documented physical and mental health benefits; can enhance your social life and self-confidence; reduces stress and depression; promotes relaxation; is a wonderful outlet for self-expression and creativity; and it’s FUN!!

Including your parents (or friends or family members who will be standing in that role) in your wedding dance can make your time on the dance floor extra special, and it’s a demonstration of your love and appreciation for them. While our main focus and priority will be on your First Dance, we do suggest a few lessons for parents if you plan to feature a traditional Mother/Son and Father/Daughter specialty dance during your reception.

Looking for something really memorable? Interesting in getting the whole wedding party involved? Bridesmaids? Groomsmen? We can choreograph a “YouTube-worthy” wedding dance for everyone in your party, that’s set to your favorite music! Extend those special wedding day moments, and keep the memories coming, with an awesome routine you’ll want to re-live, again and again.

A memorable Father/Daughter and Mother/Son dance is a wonderful compliment to your special day. Including your parents (or the special friends or family members who will be standing in that traditional role) in your wedding dance is a wonderful way to show your love and appreciation. We’d also recommend scheduling a few wedding dance lessons for them!

Your first dance is an everlasting expression of your love and commitment – for you and your new spouse, as well as for the special guests celebrating with you. In a short time, our qualified instructors will assist in teaching you a few basic steps or choreographing a full dance to “your special song.” ‘Wow’ the crowd and make your first dance as unique as the rest of your wedding day.

Learn a few basic steps, so you’ll feel at ease and confident on your wedding day. We can choreograph the whole dance with you – even include the wedding party! There are no hard & fast rules – so you decide on the plan. We do recommend scheduling your lessons at least a month before the ceremony (and further in advance, for more involved routines) so give us call today for a consult.

Customize our Wedding Dance Instruction Programs just for you, to give you both the confidence and skills to show off your elegance, style – and maybe even a little personality on the dance floor, on your wedding day. We’ll help you create a special “First Dance” that’s totally “YOU” – be that elegant, contemporary or just plain fun.

At Fred Astaire Dance Studios, all new dance Students can take advantage of our special money-saving Introductory Offer! Simply complete and submit the Intro Offer form on this website to get yours, and we’ll contact you right away to learn about your dance goals and help you set up your first Lesson.

Experience ballroom dancing steps and movements including Waltz, Salsa, Rumba, and more! This class aims to develop social, motor, sensory, and coordination skills, build self-confidence, and provide a supportive community.

These classes will provide further education of many social dances, while sharing benefits such as: Posture, Musicality, Self-Confidence, Social Skills, Hand-Eye Coordination, Expansion of Creativity, Healthy Expression of Emotions, Great Exercise, And so much more!

Our Fred Astaire Dance Studios – New Berlin location is proud to offer dance classes for your juniors and little ones! These classes will provide further education of many social dances, while introducing benefits such as posture, musicality, self-confidence, social skills, hand-eye coordination, memory & brain development, teamwork, healthy competition, help with study and focus, expansion of creativity, healthy expression of emotions, and great exercise. Classes & private lessons are a great way for your children to develop lasting friendships and social etiquette.

Learn how to ballroom dance in a fun, welcoming, and non-judgmental community. Our unique teaching method helps you learn and retain more, faster, regardless of your age or skill.

Take your existing dancing skills to the next level with our expert instruction. Whether you're a beginner or an experienced dancer, we offer challenges and techniques to elevate your performance.

Enhance your social life by joining our vibrant dance community. Meet new people, build confidence, and enjoy social events and gatherings.

Strengthen your bond by learning to dance together. It's a wonderful opportunity to connect, communicate, and create shared experiences, fostering a deeper relationship.

Engage in a fun and exciting way to exercise through dance. It's a dynamic workout that improves cardiovascular health, flexibility, and coordination while you enjoy the rhythm.

Discover a new hobby with our dance classes. It's a fantastic way to engage your mind and body, providing a creative outlet and a sense of accomplishment as you progress.

Learn romantic wedding dances to make your special day even more memorable. We cater to all skill levels, ensuring you feel confident on the dance floor for your first dance as a married couple.

LaBlast ® Fitness is a partner-free dance fitness workout created by world-renowned dancer and fitness expert Louis van Amstel (as seen on Dancing with the Stars ). It’s accessible for all levels – from the absolute beginner to the experienced dancer. LaBlast ® takes you through a diverse mix of famous ballroom dances set to your favorite music, everything from pop and rock to hip-hop and country.

Our Neurodivergent Adaptive Dance Classes are designed for children and teens to experience and enjoy the numerous benefits of dancing. This inclusive program is perfectly suited for children and teens on the neurodivergent spectrum – including but not limited to autism, ADHD, Down syndrome, and OCD.